"Voodoo Hoodoo" is the unique variety of Creole Voodoo found in New Orleans. The Voodoo Hoodoo Spellbook is a rich compendium of more than 300 authentic Voodoo and Hoodoo recipes, rituals, and spells for love, justice, gambling luck, prosperity, health, and success. Cultural psychologist and root worker Denise Alvarado, who grew up in New Orleans, draws from a lifetime of recipes and spells learned from family, friends, and local practitioners. She traces the history of the African-based folk magic brought by slaves to New Orleans, and shows how it evolved over time to include influences from Native American spirituality, Catholicism, and Pentecostalism. She shares her research into folklore collections and 19th- and 20th- century formularies along with her own magical arts. The Voodoo Hoodoo Spellbook includes more than 100 spells for Banishing, Binding, Fertility, Luck, Protection, Money, and more. Alvarado introduces readers to the Pantheon of Voodoo Spirits, the Seven African Powers, and other important Loas, Prayers, Novenas, and Psalms, and much, much more, including: * Oils and Potions: Attraction Love Oil, Dream Potion, Gambler's Luck Oil, Blessing Oil * Hoodoo Powders and Gris Gris: Algier's Fast Luck Powder, Controlling Powder, Money Drawing Powder * Talismans and Candle Magic * Curses and Hexes [Denise_Alvarado]_The_Voodoo_Hoodoo_Spellbook_bookos-z1.org_
"Denise Alvarado is a true hoodoo mamba home girl who burned hi-octane conjure in New Orleans where she grew up, and on visits to relatives in the Mississippi bayous, where she was formally introduced to the Voodoo/hoodoo path. Called by the spirits and taught conjuration by family members, she was working the goofer from five years old. That's some serious heat. Denise is no pretender. She's for real. She fixes the formulas, raises the spirits, calculates the mathematics, and works wonders at the old dirt track crossroads." -Doktor Snake, author of Doktor Snake's Voodoo Spellbook When it comes to Voodoo, few things are more iconic than the Voodoo doll. Known also as conjure dolls, doll babies, dollies, baby dolls, poppets, fetich, fetish, and effigies, they are servants of fast-acting, long-lasting magic. If you are seeking a new job or new friends, need to find your one true love or keep your lover at home, wish to be rid of your enemies or protect yourself from thievery, in these pages you will find the doll and the spell to do just that and more. Drawing not only on New Orleans Voodoo and hoodoo traditions, Alvarado also presents doll spellwork from ancient Greece, Egypt, Malaysia, Japan, Africa, and the European grimoires of old magic. You'll learn how to make, use, and properly dispose of your Voodoo doll. Be warned: this is some of the most effective magic that exists so be ready to reap what you are about to sow, or in this case, sew! VoodooSpellbook
Most scholarship on sorcery and witchcraft has narrowly focused on specific times and places, particularly early modern Europe and twentieth-century Africa. And much of that research interprets sorcery as merely a remnant of premodern traditions. Boldly challenging these views, Sorcery in the Black Atlantic takes a longer historical and broader geographical perspective, contending that sorcery is best understood as an Atlantic phenomenon that has significant connections to modernity and globalization. A distinguished group of contributors here examine sorcery in Brazil, Cuba, South Africa, Cameroon, and Angola. Their insightful essays reveal the way practices and accusations of witchcraft spread throughout the Atlantic world from the age of discovery up to the present, creating an indelible link between sorcery and the rise of global capitalism. Shedding new light on a topic of perennial interest, Sorcery in the Black Atlantic will be provocative, compelling reading for historians and anthropologists working in this growing field. [Luis_Nicolau_Pares__Roger_Sansi]_Sorcery_in_the_B_bookos-z1.org_
Romance, Diaspora, and Black Atlantic Literature offers a rich, interdisciplinary treatment of modern black literature and cultural history, showing how debates over Africa in the works of major black writers generated productive models for imagining political agency. Yogita Goyal analyzes the tensions between romance and realism in the literature of the African diaspora, examining a remarkably diverse group of twentieth-century authors, including W. E. B. Du Bois, Chinua Achebe, Richard Wright, Ama Ata Aidoo and Caryl Phillips. Shifting the center of black diaspora studies by considering Africa as constitutive of black modernity rather than its forgotten past, Goyal argues that it is through the figure of romance that the possibility of diaspora is imagined across time and space. Drawing on literature, political history and postcolonial theory, this significant addition to the cross-cultural study of literatures will be of interest to scholars of African American studies, African studies and American literary studies. [Yogita_Goyal]_Romance__Diaspora__and_Black_Atlant_bookos-z1.org_
The Atlantic slave trade continues to haunt the cultural memories of Africa, Europe and the Americas. There is a prevailing desire to forget: While victims of the African diaspora tried to flee the sites of trauma, enlightened Westerners preferred to be oblivious to the discomforting complicity between their enlightenment and chattel slavery. Recently, however, fiction writers have ventured to ‘re-member’ the Black Atlantic. This book is concerned with how literature performs as memory. It sets out to chart systematically the ways in which literature and memory intersect, and offers readings of three seminal Black Atlantic novels. Each reading illustrates a particular poetic strategy of accessing the past and presents a distinct political outlook on memory. Novelists may choose to write back to texts, images or music: Caryl Phillips’s Cambridge brings together numerous fragments of slave narratives, travelogues and histories to shape a brilliant montage of long-forgotten texts. David Dabydeen’s A Harlot’s Progress approaches slavery through the gateway of paintings by William Hogarth, Sir Joshua Reynolds and J.M.W. Turner. Toni Morrison’s Beloved, finally, is steeped in black music, from spirituals and blues to the art of John Coltrane. Beyond differences in poetic strategy, moreover, the novels paradigmatically reveal distinct ideologies: their politics of memory variously promote an encompassing transcultural sense of responsibility, an aestheticist ‘creative amnesia’, and the need to preserve a collective ‘black’ identity. [Lars_Eckstein]_Re-Membering_the_Black_Atlantic_O_bookos-z1.org_
This book focuses exclusively on the question of how Blacks have used presidential elections to exercise political influence. Setting forth the argument that Blacks use the electoral system differently from other groups to achieve their social, political, and economic goals, the work analyzes the tactics employed. It looks at Black participation in the politics of the primaries, party conventions, and the general elections, showing that what happens is the result of both traditional behind-the-scenes bargaining (dependent leverage) and the more recent direct entry of Blacks into the presidential selection process as candidates (independent leverage). Walters deals with the most significant topics in Black politics studies and electoral studies in general: the prospects for Blacks within the Democratic party, the function of Black presidential candidacies, the independent political movement in presidential elections, the impact of conservatism on Black presidential strategies, and the role of Black elected officials in presidential politics. Understanding the activities and objectives of key voting constituencies, such as Blacks, allows one to understand the dynamics of American presidential elections. [ronald_w._walters]_black_presidential_politics_in_bookos-z1.org_
